Zenza Bronica 45-90mm on Sony A7R E-Mount
In B&W - A Zenza Bronica 45-90mm f/4-5.6 PE Aspherical lens adapted to a Sony A7R with dual mount adapters, from ETR to Nikon n-Ai, to E-Mount [ 45mm @ f/5.6 ]
In B&W - A Zenza Bronica 45-90mm f/4-5.6 PE Aspherical lens adapted to a Sony A7R with dual mount adapters, from ETR to Nikon n-Ai, to E-Mount [ 45mm @ f/5.6 ]
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A Zenza Bronica 45-90mm f/4-5.6 PE Aspherical lens adapted to a Sony A7R with dual mount adapters, from ETR to Nikon n-Ai, to E-Mount [ 45mm @ f/5.6 ]
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A Zenza Bronica 45-90mm f/4-5.6 PE Aspherical lens adapted to a Sony A7R with dual mount adapters, from ETR, to Nikon n-Ai, to E-Mount [ Yashica AF 60mm Macro @ f/8 ]
45-90mm adapted lens aspherical bronica medium format
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A well worn, but well loved Auto Revuenon Tomioka branded 55mm f/1.2 lens in M42 mount, with radioactive Thorium glass elements. Mounted on a Yashica TL Electro X ITS
electro x its f1.2 m42 revuenon slr tomioka yashica
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Late Autumn Trees and Deep Blue Skys [ Nikon P7700 ]
autumn nature nikon p7700 trees
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Exploding Milkweed [ Nikon P7700 ]
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St. John's Church on December 26th of 2019 [ Zeiss Distagon T* 18mm f/4 @ f/11 ]
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Yashica Yashinon DS 20mm f/3.3 [ Zeiss T* Vario-Sonnar 35-70mm f/3.4 @ f/8 ]
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Zeiss Distagon 18mm f/4
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[ Zeiss Distagon 18mm f/4 @ f/11 ]
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[ Zeiss Distagon 18mm f/4 @ f/11 ]
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A winter view from the ground up, in Black & White [ Zeiss Distagon 18mm f/4 @ f/11 ]
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[ Zeiss Distagon 18mm f/4 @ f/11 ]
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A long-closed real estate office gets a facelift and refitted for a new tenant. [ Zeiss Distagon 18mm f/4 @ f/11 ]
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Corn Flowers in full bloom [ Zenza Bronica PE 100-220mm f/4.8 ASPH IF @ 200mm f/8 ]
100-220mm adapted lens aspherical bronica flowers zenza
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A 1975-ish FX-1 w/ a ML 50mm f/1.7 lens in early DSB-style trim [ Lumix G Vario 14-42mm f/3.5-5.6 @ 42mm f/10 ]
gh2 lumix g vario ml slr yashica
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A rare Yashica ML 35-70mm f/3.5 constant aperture zoom [ Yashica DS-M 50mm f/1.7 @ f/4 ]
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Nikkor-S 50mm f1.4 Non-Ai w/ HS-1 Hood { Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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Nikkor-S 50mm f1.4 Non-Ai w/ HS-1 Hood { Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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Another rare-ish Yashica ML 21mm f/3.5 {Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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Yashica Pentamatic w/ 5.5cm f/1.8 Auto Yashinon in it's short-lived bayonet mount [ Yashica DS-M 50mm f/1.7 @ f/4 ]
pentamatic slr yashica yashinon
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K-Mart, Focal MC 200mm f/3.3 (by Makina, Japan) [ Yashica DS-M 50mm f/1.7 @ f/4 ]
200mm ds-m focal k-mart yashica
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Test shot using a Focal MC 200mm f/3.3 - produced for K-Mart by Makina (Japan) @ f/5.6
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Image comparison in Color and B&W, using a Focal MC 200mm f/3.3, produced for K-Mart by Makina (Japan)
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Yashica ML 35-105mm f/3.5-4.5 [ Zeiss 35-70mm f/3.4 @ f/3.4 Macro mode ]
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A mechanical shutter Yashica FX-3 Super 2000 w/ ML 50mm f/1.9 kit lens [ Zeiss 35-70mm f/3.4 @ f/8 Macro mode ]
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Spiratone 18mm on Full Frame
adapted black and white spiratone
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Spiratone 18mm on Full Frame
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A Spiratone YS 18mm f/3.5, a.k.a., A Sigma Widearama
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Test shot - Spiratone 18mm YS f/3.5 (a.k.a., Sigma Widerama) - shot at f/5.6, focused to 10ft-to-infinity
adapted sigma widerama spiratone ultra-wide
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Test shot - Spiratone 18mm YS f/3.5 (a.k.a., Sigma Widerama) - shot at f/5.6, focused to 10ft-to-infinity
adapted sigma widerama spiratone ultra-wide
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Test shot - Spiratone 18mm YS f/3.5 (a.k.a., Sigma Widerama) - shot at f/5.6, focused to 10ft-to-infinity
adapted sigma widerama spiratone ultra-wide
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Geometrics and textures in Black and White [ Spiratone 18mm f/3.5 @ f/5.6, a.k.a., Sigma Widerama ]
18mm adapted black and white geometric sigma widerama sony nex f-3 spiratone ultra-wide ys mount
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A Silver-spotted Skipper butterfly on an Eastern Purple Coneflower [ Zenza Bronica 100-220mm f/4.8 PE ASPH @ 200mm - f/11 ]
adapted lens bronica butterfly coneflower flower zenza bronica 100-220mm
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A Yashica TL Electro X ITS w/ a multi-coated M42-Mount DS-M 50mm f/1.4 [ Zeiss Vario-Sonnar 35-70mm f/3.5 @ 35mm Macro, f/11 ]
ds-m electro x its slr yashica
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The pull and push of twisted wires - Color version [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
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The pull and push of twisted wires [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
adapted black and white mamiyasekor 200mm f3.5
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The 'Before' [Left] and 'After' [Right] comparison in LightRoom, while trying to recover a shot suffering from corner-to-corner veiling flare.
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Common Sparrow sitting on a wire [ Zeiss Vario-Sonnar 80-200mm f/4, @ 200mm, f/5.6 ]
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Common Sparrow sitting on a wire [ Zeiss Vario-Sonnar 80-200mm f/4, @ 200mm, f/5.6 ]
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Budding leaves from the Vitis Riparia Michx, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
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A leaf from the Vitis Riparia Michx, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
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A leaf edge from the Vitis Riparia Michx plant, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
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A leaf from the Vitis Riparia Michx, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
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Abandoned to the outdoors, a weather beaten weight bench backrest splits open and creates a micro-landscape [Yashica ML 21mm f/.3.5 @ f/5.6 ]
abandoned exposed weathered yashica ml 21mm
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A so-called Tomioka produced version of the Spiratone Minitel 500mm Reflex Mirror lens [ Zeiss Vario-Sonnar w/ Mutar I @ f/8 Macro ]
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A diminutive and ultra-lightweight pancake lens for Contax in C/Y Mount [ Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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A rare and limited production lens, designed and built by Mamiya for Nikon's Nikkorex F 35mm SLR body [ Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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A rare and limited production lens, designed and built by Mamiya for Nikon's Nikkorex F 35mm SLR body [ Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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A rare-ish Yashica ML 21mm f/3.5 {Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
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