Another rare-ish Yashica ML 21mm f/3.5 {Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
Yashica Pentamatic w/ 5.5cm f/1.8 Auto Yashinon in it's short-lived bayonet mount [ Yashica DS-M 50mm f/1.7 @ f/4 ]
K-Mart, Focal MC 200mm f/3.3 (by Makina, Japan) [ Yashica DS-M 50mm f/1.7 @ f/4 ]
Test shot using a Focal MC 200mm f/3.3 - produced for K-Mart by Makina (Japan) @ f/5.6
Image comparison in Color and B&W, using a Focal MC 200mm f/3.3, produced for K-Mart by Makina (Japan)
Yashica ML 35-105mm f/3.5-4.5 [ Zeiss 35-70mm f/3.4 @ f/3.4 Macro mode ]
A mechanical shutter Yashica FX-3 Super 2000 w/ ML 50mm f/1.9 kit lens [ Zeiss 35-70mm f/3.4 @ f/8 Macro mode ]
Spiratone 18mm on Full Frame
A Spiratone YS 18mm f/3.5, a.k.a., A Sigma Widearama
Test shot - Spiratone 18mm YS f/3.5 (a.k.a., Sigma Widerama) - shot at f/5.6, focused to 10ft-to-infinity
Geometrics and textures in Black and White [ Spiratone 18mm f/3.5 @ f/5.6, a.k.a., Sigma Widerama ]
A Silver-spotted Skipper butterfly on an Eastern Purple Coneflower [ Zenza Bronica 100-220mm f/4.8 PE ASPH @ 200mm - f/11 ]
A Yashica TL Electro X ITS w/ a multi-coated M42-Mount DS-M 50mm f/1.4 [ Zeiss Vario-Sonnar 35-70mm f/3.5 @ 35mm Macro, f/11 ]
The pull and push of twisted wires - Color version [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
The pull and push of twisted wires [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
The 'Before' [Left] and 'After' [Right] comparison in LightRoom, while trying to recover a shot suffering from corner-to-corner ve…
Common Sparrow sitting on a wire [ Zeiss Vario-Sonnar 80-200mm f/4, @ 200mm, f/5.6 ]